{"id":100578,"date":"2024-10-01T09:00:00","date_gmt":"2024-10-01T16:00:00","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=100578"},"modified":"2024-12-13T11:44:17","modified_gmt":"2024-12-13T19:44:17","slug":"the-sounds-of-fear","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/the-sounds-of-fear\/","title":{"rendered":"The Sounds of Fear: 10 Scary Horror Film Scores"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"660\" height=\"495\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear-660x495.jpg\" alt=\"Collage of horror movie posters\" class=\"wp-image-100609\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear-660x495.jpg 660w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear-300x225.jpg 300w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear-425x319.jpg 425w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear-624x468.jpg 624w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2024\/10\/the-sounds-of-fear.jpg 720w\" sizes=\"auto, (max-width: 660px) 100vw, 660px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<p>As we approach Halloween, now is the perfect time to get into the fall spirit by celebrating National Horror Movie Day on October 23. The best horror movies create an eerie atmosphere, are full of tension and suspense, and most importantly, have a hauntingly good soundtrack.<\/p>\n\n\n\n<p>To celebrate, we\u2019re sharing 10 of our favorite horror film scores to iconic, spine-tingling movies that are perfect for the spooky season. And if you&#8217;re craving more spooky sounds this month, tune in to <a href=\"https:\/\/www.thescore.org\/\"><em>The Score<\/em><\/a> with host Edmund Stone on Saturdays and Sundays at 2PM PT for deep dives into horror-themed film music throughout October.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Hereditary <\/em>(Colin Stetson, 2018)<\/h2>\n\n\n\n<p>Released in 2018, Ari Aster\u2019s first feature film <em>Hereditary<\/em> is recognized as one of the most haunting films in recent memory. Avant-garde composer and multi-instrumentalist Colin Stetson aimed to make the film sound \u201cevil.\u201d From the use of clarinet choirs to the human-sized bass saxophone, Stetson\u2019s score takes on a disturbing and sinister character of its own in the film.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hereditary Soundtrack - &quot;Reborn&quot; - Colin Stetson\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/MVnSFj6XQZY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Candyman <\/em>(Philip Glass, 1992)<\/h2>\n\n\n\n<p>Minimalist composer Philip Glass is regarded as one of the most influential composers of the late 20th century. His film scores can be heard in movies such as <em>Kundun <\/em>(1997),<em>The Truman Show (1998)<\/em>, and <em>The Hours <\/em>(2002). Known for his repetitive structures and shifting layers, Glass\u2019 score for <em>Candyman <\/em>delivers a hypnotic and intense atmosphere.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Candyman&quot; (1992) Main Title Sequence\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/TSd81qwxDNo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>The Thing <\/em>(Ennio Morricone, 1982)<\/h2>\n\n\n\n<p>The 1982 version of <em>The Thing<\/em>, directed by John Carpenter, is the quintessential sci-fi horror film for those looking for an extraterrestrial thrill. Italian composer Ennio Morricone is one of the most prolific film composers of all time with hundreds of compositions in a wide variety of genres. Morricone creates a cold and unsettling sound that fits perfectly in this science fiction classic.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Main Theme (From &quot;The Thing&quot;)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/ydIi0I30j18?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Suspiria <\/em>(Thom Yorke, 2018)<\/h2>\n\n\n\n<p>Luca Guadagnino\u2019s <em>Suspiria <\/em>(2018) is a remake of the original 1977 horror classic by Dario Argento. The film follows a young American dancer who travels to Berlin to study at a world-renowned dance school and soon uncovers the academy\u2019s dark secrets of witchcraft and murders. Radiohead\u2019s Thom Yorke provides melancholic and solemn, yet beautiful songwriting to the film with tracks like \u201cSuspirium\u201d and \u201cUnmade.\u201d<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Thom Yorke - Volk\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vpULWBT1WEg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><span lang=\"EN\"><em>Vertigo<\/em> (Bernard Herrmann, 1958)<\/span><\/h2>\n\n\n\n<p>Widely regarded as one of the most impactful film composers, Bernard Herrmann\u2019s compositions have been featured in classics such as <em>Psycho<\/em> (1960) and <em>Taxi Driver<\/em> (1976). In the track \u201cPrelude and Rooftop\u201d from Alfred Hitchcock\u2019s <em>Vertigo, <\/em>the use of repetitive dissonant motifs in the strings mixed with the heavy low brass underscores the intensity and suspense of the film. The story follows an ex-detective who is hired to guard a possessed woman obsessed with death.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Prelude And Rooftop\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/iNcs5Zu8IfE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>The Shining <\/em>(Wendy Carlos, Rachel Elkind, Krzysztof Penderecki, et al., 1980)<\/h2>\n\n\n\n<p><em>The Shining <\/em>is one of the most recognizable horror films of all time. Many people can identify the use of the traditional liturgical chant \u201cDies Irae,\u201d which is a key sound element to the film\u2019s identity. Based on Stephen King\u2019s 1977 novel, <em>The Shining <\/em>is a psychological thriller that heavily utilizes pre-existing music from classical composers such as Bart\u00f3k, Ligeti, and Berlioz.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Main Title (The Shining)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/pylfy_L6Bjs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>The Nightmare Before Christmas <\/em>(Danny Elfman, 1993)<\/h2>\n\n\n\n<p>Tim Burton\u2019s <em>The Nightmare Before Christmas <\/em>is the perfect family-friendly spooky movie to watch as the seasons change. Whether you watch it on Halloween or Christmas is completely up to you. Danny Elfman\u2019s soundtrack for this iconic stop-motion film has given <em>The Nightmare Before Christmas<\/em> its place in pop culture along with a massive cult following.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"The Citizens of Halloween - This Is Halloween (From Tim Burton&#039;s &quot;The Nightmare Before Christmas&quot;)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ZVuToMilP0A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>It Follows <\/em>(Disasterpeace, 2014)<\/h2>\n\n\n\n<p>In the film <em>It Follows<\/em>  directed by David Robert Mitchell, a teenage girl\u2019s new boyfriend passes a curse onto her of a shape-shifting entity that is out to get her. Richard Vreeland, also known as Disasterpeace, is a masterful electronic composer of video game, chiptune, and film music. He uses sinister-sounding synths and distortions to give <em>It Follows<\/em> a throwback horror film score sound.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Disasterpeace - Title (It Follows Original Motion Picture Soundtrack)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/mrqS96JxWVA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Psycho <\/em>(Bernard Herrmann, 1960)<\/h2>\n\n\n\n<p>Released in 1960, Alfred Hitchcock once again collaborated with Bernard Herrmann in the cult classic movie, <em>Psycho<\/em>. The intense string ostinati in the \u201cPrelude\u201d track are still widely recognized today. In music, an <em>ostinato <\/em>describes a repeating musical phrase derived from the Italian word for \u201cstubborn\u201d or \u201cobstinate.\u201d In this track, the ostinati elevate the panic in Marion\u2019s drive to the Bates Motel, letting the audience know that something terrible is to come. Not to mention, the iconic shower scene with the track \u201cThe Murder,\u201d where the piercing violins elevate both the musical and cultural identity of this influential slasher film.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Prelude\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/w5Sqv_45A5c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:75px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h2 class=\"wp-block-heading\"><em>Halloween <\/em>(John Carpenter, 1978)<\/h2>\n\n\n\n<p>Horror genre legend John Carpenter wrote, directed, and composed the score for the timeless classic, <em>Halloween<\/em>. The main theme of the soundtrack is an essential leitmotif linked with one of the most famous horror film villains, Michael Myers. A <em>leitmotif<\/em> is a recurring musical theme that often represents a character or person (think Darth Vader and the Imperial March, or the famous <em>Jaws<\/em> theme). Inspired by learning about 5\/4 time signatures on the bongos as a child, John Carpenter\u2019s use of minimalist, repetitive, and rhythmic patterns helped produce one of the greatest horror film franchises of all time.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Carpenter - Halloween 1978  (main Theme)\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/pT4FY3NrhGg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p>To keep learning about spooky musical works, check out this post from the Arts Blog: <em><a href=\"https:\/\/www.allclassical.org\/ghouls-ghosts-and-edvard-grieg-the-spookiest-classical-pieces\/\">Ghouls, Ghosts, and Edvard Grieg: The Spookiest Classical Pieces<\/a><\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>As we approach Halloween, now is the perfect time to get into the fall spirit by celebrating National Horror Movie Day on October 23. The best horror movies create an eerie atmosphere, are full of tension and suspense, and most importantly, have a hauntingly good soundtrack. To celebrate, we\u2019re sharing 10 of our favorite horror &#8230; <\/p>\n","protected":false},"author":162,"featured_media":100609,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4056,4044],"tags":[],"class_list":["post-100578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-for-fun","category-playlist"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:09:00","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/100578","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/162"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=100578"}],"version-history":[{"count":9,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/100578\/revisions"}],"predecessor-version":[{"id":100640,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/100578\/revisions\/100640"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/100609"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=100578"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=100578"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=100578"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}