{"id":78476,"date":"2021-05-12T09:58:11","date_gmt":"2021-05-12T16:58:11","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=78476"},"modified":"2025-12-04T15:53:43","modified_gmt":"2025-12-04T23:53:43","slug":"a-playlist-of-music-by-jewish-american-women","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/a-playlist-of-music-by-jewish-american-women\/","title":{"rendered":"A Playlist of Music by Jewish-American Women"},"content":{"rendered":"\n<p><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">Composers, teachers, performers, conductors, singers<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">,&nbsp;<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">and cantors: the outstanding contributions of Jewish<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">&nbsp;<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">women to&nbsp;<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">American&nbsp;<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">music are ubiquitous. May is Jewish-American Heritage Month, and as part of our celebration at All Classical<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">&nbsp;Portland<\/span><\/span><span class=\"TextRun SCXW44333433 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW44333433 BCX0\">, we hope you enjoy this playlist of music by remarkable Jewish-American women.<\/span><\/span><span class=\"EOP SCXW44333433 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<p>Check out our <a href=\"https:\/\/open.spotify.com\/playlist\/3plrMvkCdi5mvbLoQi3ixT?si=85ce90be5aed474f\" target=\"_blank\" rel=\"noopener\">Spotify Playlist<\/a>, which features these composers in a slightly different lineup of compositions.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Sun Splendor, Op. 19c<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Marion-Bauer.jpg\" alt=\"Marion Bauer\"><em>Photograph of Marion Bauer Courtesy of Wikimedia Commons<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h3 class=\"wp-block-heading\"><strong>Marion Bauer (1882-1955)&nbsp;<\/strong><\/h3>\n\n\n\n<p><a href=\"https:\/\/www.jewishvirtuallibrary.org\/marion-eugnie-bauer\" target=\"_blank\" rel=\"noreferrer noopener\">Marion Bauer<\/a>\u00a0was a significant American modernist composer, as well as a teacher and a music critic. She was Nadia Boulanger\u2019s first American\u00a0student, and became an influential pedagogue herself, teaching composition at New York City University and the Julliard School. Bauer\u00a0was also a Pacific Northwest composer: she was born in Walla-Walla and her parents were married at Temple Beth Israel right here in Portland, Oregon!<\/p>\n\n\n\n<p>In this video, the Portland Youth Philharmonic plays Bauer\u2019s tone poem&nbsp;<em>Sun Splendor&nbsp;<\/em>in a 2016 performance at&nbsp;Arlene Schnitzer Concert Hall.&nbsp;<em>Sun Splendor<\/em>&nbsp;originally&nbsp;premiered in 1947, in a performance by the New York Philharmonic directed Leopold Stokowski.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Marion Bauer: Sun Splendor\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nzbUGzKo6fA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Prelude, Op. 73<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Mana_Zucca.jpg\" alt=\"Mana-Zucca\"><em>Photograph of Mana-Zucca courtesy of Wikimedia Commons<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\"><strong>Mana\u2013Zucca (1885-1981)&nbsp;<\/strong><\/h3>\n\n\n\n<p>Piano prodigy, singer, actress,\u00a0and composer\u00a0Gussie\u00a0Zuckermann\u00a0was born in New York City\u00a0to a Polish immigrant family. She adopted her unique stage name in her teens.\u00a0<a href=\"https:\/\/www.kusc.org\/culture\/staff-blog\/open-ears\/mana-zucca\/\" target=\"_blank\" rel=\"noreferrer noopener\">Mana\u2013Zucca\u2019s<\/a>\u00a0early successes included a Carnegie Hall performance in 1902 in a concert\u00a0presented\u00a0by Walter Damrosch, followed by\u00a0a European concert tour, during which she met musical luminaries such as Teresa\u00a0Carre\u00f1o.\u00a0Mana\u2013Zucca was incredibly versatile: she\u00a0wrote orchestral music, chamber music, and popular songs; she sang\u00a0in musical comedies;\u00a0she established\u00a0a musical salon at her Miami home. In this video, you\u2019ll hear three of her piano works: her Prelude, Op. 73;\u00a0<em>Bolero de Concert<\/em>, Op. 72, No. 2; and\u00a0<em>Badinage<\/em>, Op. 288.\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"THE PIANO MUSIC OF MANA-ZUCCA: Three Selections\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/ItA5unXTt98?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">New England Suite<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Vally_Weigl_1894%E2%80%931982.jpg\" alt=\"Vally Weigl\"><em>Photograph of Vally Weigl courtesy of Wikimedia Commons<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:60%\">\n<h3 class=\"wp-block-heading\"><strong>Vally Weigl (1884 or 1889-1982)&nbsp;<\/strong><\/h3>\n\n\n\n<p>Born in Austria,\u00a0<a href=\"http:\/\/www.karlweigl.org\/?page_id=60\" target=\"_blank\" rel=\"noreferrer noopener\">Vally Weigl<\/a>\u00a0studied musicology at Vienna University, as well as\u00a0composition and piano. She and her husband, composer Karl Weigl, emigrated to the United States in 1938 to escape Nazi oppression.\u00a0(Weigl\u2019s sister, K\u00e4the, would be murdered at a Nazi death camp several years later).\u00a0In addition to composing, Weigl was an influential music therapist, serving at New York Medical College and publishing widely\u00a0in her field.<\/p>\n\n\n\n<p>Our Weigl selection is her&nbsp;<em>New England Suite<\/em>, composed in the 1950s.&nbsp;This lyrical, rapturous chamber work describes scenes from New England in four movements:&nbsp;\u201cVermont Nocturne,\u201d \u201cMaine Interlude,\u201d \u201cBerkshire Pastorale\u201d and \u201cConnecticut Country Fair.\u201d&nbsp;&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Vally Weigl, New England Suite\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/M2U2lcHGzQ0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Piece for Muted Strings (Elegiac Song)<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Vivian-Fine.jpg\" alt=\"Vivian FIne\"><em>Photograph of Vivian Fine courtesy of VivianFine.com<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\"><strong>Vivian Fine (1913-2000)&nbsp;<\/strong><\/h3>\n\n\n\n<p>American composer and pianist\u00a0<a href=\"http:\/\/www.vivianfine.org\/main\/home.htm\" target=\"_blank\" rel=\"noreferrer noopener\">Vivian Fine<\/a>\u00a0enrolled at Chicago Musical College at\u00a0a mere five years of age, and as an adult, she\u00a0went on to study with\u00a0Ruth Crawford Seeger and Roger Sessions.\u00a0Her work as a collaborative pianist for New York dance companies led to several dance compositions, including one for Martha Graham.\u00a0Among Fine\u2019s many accomplishments, she\u00a0taught at the Julliard School, New York University, and Bennington College in Vermont, and she helped found the American Composers\u2019 Alliance.\u00a0Vivian\u00a0Fine composed her\u00a0<em>Piece for Muted Strings (Elegiac Song)<\/em>\u00a0in 1937, and it premiered in March of 1939 at a League of Composers concert in New York City.\u00a0The work is\u00a0a\u00a0response to\u00a0the Spanish Civil War: Fine was strongly opposed to\u00a0Franco\u2019s Fascist regime.\u00a0Fine\u00a0designated\u00a0the work\u00a0\u201cfor\u00a0the children of Spain.\u201d\u00a0\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"A Far Cry Performs Vivian Fine&#039;s &quot;Piece for Muted Strings (Elegiac Song)&quot;\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/yso9hLZU0UA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Air for Violin and Piano<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Miriam-Gideon.jpg\" alt=\"Miriam Gideon\"><em>Photograph of Miriam Gideon courtesy of the Milken Archive<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Miriam Gideon (1906-1996)&nbsp;&nbsp;<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.milkenarchive.org\/artists\/view\/miriam-gideon\" target=\"_blank\" rel=\"noreferrer noopener\">Miriam Gideon<\/a>\u00a0was\u00a0particularly drawn to sacred music. Her father was a Reform rabbi, and her uncle, whom she visited every summer as a child,\u00a0was the director of music at Temple Israel in Boston. Gideon\u00a0studied composition with Lazare\u00a0Saminsky\u00a0and Roger Sessions, as well\u00a0earning degrees\u00a0from Columbia University and the Jewish Theological Seminary, where she also taught for forty years.\u00a0Gideon holds the distinction of being the first woman commissioned to compose a setting for Jewish liturgy. In addition to her many sacred\u00a0and choral works, Gideon\u2019s instrumental pieces, like this Air for Violin and Piano\u00a0(1950)\u00a0display a\u00a0compelling,\u00a0expressive, freely atonal musical language.\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GIDEON: Air for Violin and Piano - performed by the Park Sisters\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/AYHpgEwaze0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Hark My Love<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Judith-Shatin-scaled.jpg\" alt=\"\"><em>Photograph of Judith Shatin by Peter Schaaf, courtesy of JudithShatin.com<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Judith Shatin (b. 1949)&nbsp;<\/h3>\n\n\n\n<p><a href=\"https:\/\/www.milkenarchive.org\/artists\/view\/judith-shatin\" target=\"_blank\" rel=\"noreferrer noopener\">Judith Shatin<\/a>\u00a0is a composer equally at home in traditional classical sonorities and electronic music. A graduate of the Julliard School and Princeton University, Shatin is Professor Emerita at the University of Virginia and the founder of the Virginia Center for Electronic Music. Shatin\u2019s\u00a0<em>Hark My Love\u00a0<\/em>(1991) is a tender piece for choir and piano,\u00a0dedicated to Shatin\u2019s husband.<\/p>\n\n\n\n<p>In\u00a0<a href=\"https:\/\/www.judithshatin.com\/hark-my-love\/\" target=\"_blank\" rel=\"noreferrer noopener\">her program note<\/a>, Shatin writes,\u00a0<em>\u201c<\/em>Hark My Love<em>\u00a0is a setting of verses from the Song of Songs in Marvin Pope\u2019s translation for the Anchor Bible (verses 8-10, 14, 16-17). This richly-textured symbolic text sparked my musical imagination, and the lyrical translation and rhythmic flow of this translation seemed especially apt for musical interpretation. I tried to capture something of the spirit and content of the word in the musical flow and text setting.\u201d<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hark My Love\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/kyHFUzPdQu4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Birds of Paradise<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Shulamit-Ran.jpg\" alt=\"Shulamit Ran\"><em>Photograph of Shulamit Ran courtesy of the Milken Family Foundation<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Shulamit Ran (b. 1949)&nbsp;<\/h3>\n\n\n\n<p>Israeli-American composer\u00a0<a href=\"https:\/\/www.milkenarchive.org\/artists\/view\/shulamit-ran\/?gclid=CjwKCAjw1uiEBhBzEiwAO9B_Hdw-o90milW5rK56vi-VX8FFzNg1tl3Uh2UvcYJhDoBXgdsy3J1x4hoC3p8QAvD_BwE\" target=\"_blank\" rel=\"noreferrer noopener\">Shulamit Ran<\/a>\u00a0wrote her first songs in Hebrew when she was a child growing up in Tel Aviv.\u00a0Ran\u00a0studied at the Mannes School of Music,\u00a0and\u00a0she\u00a0serves on the faculty of the University of Chicago.\u00a0Her many accolades include a Guggenheim Fellowship and the\u00a0<a href=\"https:\/\/www.pulitzer.org\/winners\/shulamit-ran\" target=\"_blank\" rel=\"noreferrer noopener\">1991 Pulitzer Prize<\/a>\u00a0for music.\u00a0Our playlist features Ran\u2019s\u00a0<em>Birds of Paradise<\/em>, a work for flute and piano commissioned by the Chicago Flute Club\u2019s 25th\u00a0Anniversary\u00a0Commission.\u00a0In her\u00a0<a href=\"https:\/\/www.sheetmusicplus.com\/title\/birds-of-paradise-sheet-music\/19985890\" target=\"_blank\" rel=\"noreferrer noopener\">program note for\u00a0<em>Birds of Paradise<\/em><\/a>, Ran writes,<em>\u00a0\u201cMy decision to name this 12-minute work Birds of Paradise was based purely on the imagined vision of a fantastical bird of many bright and amazing colors and the ability to soar high and in different speeds, conjured up in my mind.\u201d\u00a0<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Emma Resmini: Birds of Paradise by Shulamit Ran\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/6wSnGZ0GaUk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Fire in My Mouth<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Julia-Wolfe.jpg\" alt=\"\"><em>Photograph of Julia Wolfe by Peter Serling, courtesy of JuliaWolfeMusic.com<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Julia Wolfe (b. 1958)&nbsp;<\/h3>\n\n\n\n<p><a href=\"https:\/\/juliawolfemusic.com\/about\/\" target=\"_blank\" rel=\"noreferrer noopener\">Julia Wolfe<\/a>\u00a0is an American composer whose eclectic style draws on classical,\u00a0folk,\u00a0minimalist and rock\u00a0musics.\u00a0In 2015,\u00a0her oratorio\u00a0<em>Anthracite Fields<\/em>,\u00a0about Pennsylvania coal mining, won the\u00a0<a href=\"https:\/\/www.pulitzer.org\/winners\/julia-wolfe\" target=\"_blank\" rel=\"noreferrer noopener\">Pulitzer Prize for music<\/a>.\u00a0The oratorio was part of a series she\u00a0has created about the American worker, which\u00a0continued in 2019 with\u00a0Wolfe\u2019s\u00a0<em>Fire in My Mouth<\/em>.\u00a0Scored\u00a0for women\u2019s and girls\u2019 choirs and orchestra, this\u00a0composition\u00a0explores the 1911 fire at the Triangle Shirtwaist Factory, a tragedy\u00a0in which 146 garment workers perished due to the lack of safety precautions taken by factory management. Wolfe\u00a0commemorated the fire\u2019s victims by\u00a0scoring\u00a0the piece for\u00a0exactly\u00a0146 vocalists.\u00a0<\/p>\n\n\n\n<p>In her program note, Wolfe explains,<em>&nbsp;\u201cI had been thinking about immigrant women in the workforce at the turn of the century. They fled their homelands to escape poverty and persecution. The garment workers arrived to these shores with sewing skills. Many of the women wound up working on these huge factory floors \u2014 hundreds of women sitting at sewing machines.&nbsp;Fire in&nbsp;My&nbsp;Mouth&nbsp;tells the story of the women who persevered and endured challenging conditions, women who led the fight for reform in the workplace.\u201d&nbsp;<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Julia Wolfe - Fire in My Mouth (2019)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/3BpwFQvLUXI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">24 Preludes for Violin and Piano, Op. 46<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<p><img decoding=\"async\" src=\"https:\/\/web.archive.org\/web\/20230329234004im_\/https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/05\/Lera_Auerbach-scaled.jpg\" alt=\"Lera Auerbach\"><em>Photograph of Lera Auerbach by Friedrich Reinhold, courtesy of LeraAuerbach.com<\/em><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:50%\">\n<h3 class=\"wp-block-heading\">Lera Auerbach (b. 1973)&nbsp;<\/h3>\n\n\n\n<p><a href=\"https:\/\/leraauerbach.com\/index.php\/biography\/\" target=\"_blank\" rel=\"noreferrer noopener\">Lera Auerbach<\/a>\u00a0is a leading contemporary composer and a versatile artist: she is also a concert pianist, visual artist and poet. Her catalogue includes symphonies, string quartets, ballets and operas: she frequently explores traditional genres in a contemporary voice.\u00a0Aurebach\u2019s\u00a01999 set of 24 Preludes for Violin and Piano is part of a tradition laid down by Bach\u2019s\u00a0<em>Well-Tempered Clavier<\/em>, which explored each major and minor key in preludes and fugues for keyboard. Chopin\u2019s 24\u00a0Pr\u00e9ludes\u00a0extended this tradition in a curious way: Chopin\u2019s \u201cpreludes\u201d were not a prelude to anything else, simply standalone miniatures in forms of his own devising. Chopin\u2019s take on preludes gave composers a genre that offers a great deal of freedom. Auerbach first dove into this tradition with her 24 Preludes for Piano, Op. 41 (1998), and she explored it further in her 24 Preludes for Cello and Piano, Op. 47.\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Camerata Pacifica \u2014 Auerbach F Major &amp; D Minor Preludes for Cello &amp; Piano, Opus 47\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/GaXA_j65yXY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h1 class=\"wp-block-heading\">Learn More<\/h1>\n\n\n\n<p><a href=\"https:\/\/jwa.org\/encyclopedia\/article\/jewish-women-and-jewish-music-in-america\">\u201cJewish Women and Jewish Music in America\u201d\u00a0<\/a>\u00a0by Adrienne Fried Block, in\u00a0<em>The Encyclopedia of Jewish Women<\/em>.\u00a0\u00a0\u00a0<\/p>\n\n\n\n<p><a href=\"https:\/\/www.milkenarchive.org\/news\/news-items\/view\/women-composers-of-the-milken-archive\/\">\u201cWomen Composers of the Milken Archive\u201d<\/a>\u00a0(March 2, 2019) in\u00a0<em>The Milken Archive of Jewish Music.\u00a0<\/em>\u00a0<\/p>\n\n\n\n<p><a href=\"https:\/\/www.jewishvirtuallibrary.org\/\">The Jewish Virtual Library<\/a>\u00a0\u00a0<\/p>\n\n\n\n<p><em>Many thanks to Ed Goldberg and Andrea Murray for their advice in compiling this playlist.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Composers, teachers, performers, conductors, singers,&nbsp;and cantors: the outstanding contributions of Jewish&nbsp;women to&nbsp;American&nbsp;music are ubiquitous. May is Jewish-American Heritage Month, and as part of our celebration at All Classical&nbsp;Portland, we hope you enjoy this playlist of music by remarkable Jewish-American women.&nbsp; Check out our Spotify Playlist, which features these composers in a slightly different lineup of &#8230; <\/p>\n","protected":false},"author":127,"featured_media":78514,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4044],"tags":[],"class_list":["post-78476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-playlist"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:09:32","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/78476","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=78476"}],"version-history":[{"count":9,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/78476\/revisions"}],"predecessor-version":[{"id":109268,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/78476\/revisions\/109268"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/78514"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=78476"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=78476"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=78476"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}