{"id":80377,"date":"2021-09-30T12:14:21","date_gmt":"2021-09-30T19:14:21","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=80377"},"modified":"2026-01-23T12:59:13","modified_gmt":"2026-01-23T20:59:13","slug":"hispanic-composers-in-america","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/hispanic-composers-in-america\/","title":{"rendered":"Hispanic Composers in America"},"content":{"rendered":"\n<p><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW149275629 BCX0\">During Hispanic Heritage Month, which is observed from September 15-October 15, we at All Classical<\/span><\/span><span class=\"TrackChangeTextInsertion TrackedChange SCXW149275629 BCX0\"><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW149275629 BCX0\">&nbsp;Portland<\/span><\/span><\/span><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW149275629 BCX0\">&nbsp;are excited to celebrate the rich musical contributions of&nbsp;<\/span><\/span><span class=\"TextRun Underlined SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW149275629 BCX0\">Latino<\/span><\/span><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW149275629 BCX0\">&nbsp;and Hispanic composers. In this list, we\u2019d like to introduce you to a few fascinating composers of Hispanic heritage who have lived or worked in the United States. We\u2019ll start back in the mid-19<\/span><\/span><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun Superscript SCXW149275629 BCX0\" data-fontsize=\"11\">th<\/span><\/span><span class=\"TextRun SCXW149275629 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"auto\"><span class=\"NormalTextRun SCXW149275629 BCX0\">&nbsp;century, and end the list with some amazing contemporary composers.<\/span><\/span><span class=\"EOP SCXW149275629 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<div style=\"height:42px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Teresa Carre\u00f1o<\/h2>\n\n\n\n<p>Known as the \u201cValkyrie of the Piano,\u201d&nbsp;Venezuelan composer&nbsp;Teresa Carre\u00f1o&nbsp;(1853-1917)&nbsp;was a force to be reckoned with. Her family moved to the United States in 1862, where she made her New York debut at the age of nine and played for Abraham Lincoln&nbsp;at the age of ten.&nbsp;Carre\u00f1o\u2019s&nbsp;life as a touring concert pianist&nbsp;brought her to Europe, Australia, and South America, making her one of the first Latin American women to&nbsp;achieve an international musical career. She also distinguished herself as a soprano, an impresario who founded her own opera company, and a composer.&nbsp;Carre\u00f1o named this&nbsp;lovely little waltz&nbsp;after&nbsp;her&nbsp;daughter, Teresita.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mi Teresita - Teresa Carre\u00f1o\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/FXKut7Gc9sA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Justin Elie<\/h2>\n\n\n\n<p>During his lifetime,&nbsp;<a href=\"https:\/\/africlassical.blogspot.com\/2008\/08\/justin-elie-haitian-composer-pianist.html\">Justin Elie<\/a>&nbsp;(1883-1931)&nbsp;was easily&nbsp;the&nbsp;most recognized classical composer&nbsp;from Haiti.&nbsp;After initial training in his native Port-au-Prince, Elie&nbsp;studied at the Paris Conservatory, and concertized throughout Latin America before settling in New York in 1921.&nbsp;A versatile composer, Elie wrote and arranged music for silent films, theater, and for his own radio show,&nbsp;The Lure of the Tropics.&nbsp;He also composed concert music, drawing on influences from Haitian&nbsp;music&nbsp;and Native American&nbsp;music.&nbsp;In this recording, you\u2019ll hear the first of Elie&#8217;s three&nbsp;Chants de&nbsp;montange&nbsp;for piano, composed in 1922.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Justin Elie : Chant de la montagne n\u00b0 1 \u00ab Echo-Ismao \u00bb\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nf_LZKlcLl8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Ernesto Lecuona<\/h2>\n\n\n\n<p>Cuban pianist&nbsp;and songwriter&nbsp;Ernesto Lecuona&nbsp;(1896-1963)&nbsp;has been called the&nbsp;\u201cGershwin of Cuba\u201d for his ability to seamlessly meld popular and classical&nbsp;styles.&nbsp;Lecuona wrote his first&nbsp;song at the age of eleven, and was an award-winning student at the National Conservatory in Havana. Like Justin Elie, Lecuona spent part of his career in New York, where he composed for musicals, film, and radio. He also&nbsp;appeared&nbsp;as a&nbsp;classical&nbsp;composer-pianist specializing in Cuban music,&nbsp;and&nbsp;toured internationally with his band, Lecuona\u2019s Cuban Boys. Among Lecuona\u2019s compositions is the celebrated Malague\u00f1a.&nbsp;You can hear Lecuona playing the work in this historic recording.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Ernesto Lecuona plays Lecuona - Malaguena &amp; Andalucia\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/F2ksNyyuViQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Roque Cordero<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"405\" height=\"720\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/09\/Cordero.png\" alt=\"Roque Cordero\" class=\"wp-image-80382\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/09\/Cordero.png 405w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/09\/Cordero-169x300.png 169w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><figcaption class=\"wp-element-caption\">Photograph of Roque Cordero courtesy of DePaul University Special Collections and Archives.<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Roque Cordero&nbsp;(1917-2008)&nbsp;was one of the twentieth century\u2019s most influential Panamanian-born composers and educators.&nbsp;Cordero studied&nbsp;conducting and composition in Minnesota,&nbsp;where Dmitri Mitropoulos&nbsp;conducted the&nbsp;premiere of&nbsp;Cordero\u2019s&nbsp;second Panamanian Overture. After further study in New York, Cordero&nbsp;returned to Panama, where he taught at the National Conservatory and conducted the Panama National Orchestra. In&nbsp;1966, he&nbsp;settled&nbsp;in the United States to teach at Indiana University\u2019s Latin American Music Center, and later at Illinois State&nbsp;University.&nbsp;<\/p>\n\n\n\n<p>In this recording, you\u2019ll hear&nbsp;Orchestra NOW perform&nbsp;Cordero\u2019s haunting&nbsp;Adagio tr\u00e1gico, a piece that reflects on both the death of the composer\u2019s mother, and on the assassination of Panamanian president Jos\u00e9 Antonio Rem\u00f3n Cantera.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Roque Cordero: \u201cAdagio tr\u00e1gico\u201d | The Orchestra Now\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/vpEMgkNENvw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Pauline Oliveros<\/h2>\n\n\n\n<p>Pauline Oliveros\u00a0(1932-2016) was an expert in electronic music, improvisation, and minimalism. Oliveros studied at the University of Houston, San Francisco State College and the San Francisco Conservatory of Music. She collaborated in experimental and electronic music with the likes of Ramon Sender and Terry Riley, and taught at the University of California in San Diego. Later Oliveros was based in Kingston, New York, where she founded and directed the\u00a0Deep Listening Institute.\u00a0Much of Oliveros\u2019s music explores the concept of conscious, thoughtful listening and the acoustic effects of resonant spaces. In this recording, you\u2019ll hear \u201cA Love Song\u201d from Oliveros\u2019s 1985 album\u00a0The Well and the Gentle.\u00a0<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pauline Oliveros - A Love Song\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/fZLJ7PKmpE0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Gabriela Ortiz<\/h2>\n\n\n\n<p>Gabriel Ortiz&nbsp;(b. 1964)&nbsp;is a dynamic contemporary&nbsp;Mexican composer. Born in Mexico City, Ortiz studied at the&nbsp;Conservatorio&nbsp;Nacional de M\u00fasica,&nbsp;the&nbsp;Guildhall School of Music and Drama,&nbsp;and the City University of London.&nbsp;She teaches at the Universidad Nacional&nbsp;Aut\u00f3noma&nbsp;de M\u00e9xico and at Indiana University, and&nbsp;her works have joined the repertoire of ensembles ranging from the Kronos Quartet to the Los Angeles Philharmonic to the Orquestra Sim\u00f3n Bolivar.&nbsp;In her artist bio, Ortiz describes her musical language as an \u201cexpressive synthesis of tradition and the avant-garde\u2026combining high art, folk music and jazz in novel, frequently refined and always personal ways.\u201d&nbsp;<\/p>\n\n\n\n<p>In this recording, Terra Nova Ensemble plays Ortiz\u2019s chamber work&nbsp;reflecting on the&nbsp;Dia&nbsp;de los Muertos:&nbsp;Altar de Muertos.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"&quot;Altar de Muertos&#039; by Gabriela Ortiz - Terra Nostra Ensemble\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JFCfGOQM3kU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:39px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Gabriela Lena Frank<\/h2>\n\n\n\n<p>Gabriela Lena Frank&nbsp;(b. 1972)&nbsp;is an exciting contemporary&nbsp;pianist and&nbsp;composer, currently serving as&nbsp;Composer-in-Residence for the Philadelphia Orchestra. In her artist biography, Frank explains that her music explores the concept of identity, including her own, as the&nbsp;daughter of a Peruvian-Chinese mother and a Lithuanian-Jewish father.&nbsp;Frank was born in Berkeley, California,&nbsp;and she studied at Rice University and the University of Michigan.&nbsp;Frank\u2019s many honors include a Guggenheim Fellowship&nbsp;and a Grammy award.&nbsp;In 2016, she founded the&nbsp;Gabriela Lena Frank Creative Academy of Music&nbsp;to encourage&nbsp;the careers&nbsp;of&nbsp;emerging composers, and, as the organization states, \u201cto encourage composers to think of the arts as&nbsp;indispensable&nbsp;to communities beyond the concert hall.\u201d&nbsp;<\/p>\n\n\n\n<p>In this recording, the Utah Symphony performs Frank\u2019s&nbsp;Three Latin American Dances&nbsp;(2003).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"GABRIELA LENA FRANK Three Latin American Dances\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nbxmWy7rjI4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>During Hispanic Heritage Month, which is observed from September 15-October 15, we at All Classical&nbsp;Portland&nbsp;are excited to celebrate the rich musical contributions of&nbsp;Latino&nbsp;and Hispanic composers. In this list, we\u2019d like to introduce you to a few fascinating composers of Hispanic heritage who have lived or worked in the United States. We\u2019ll start back in the &#8230; <\/p>\n","protected":false},"author":127,"featured_media":80395,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4909],"tags":[],"class_list":["post-80377","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:18:07","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80377","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=80377"}],"version-history":[{"count":10,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80377\/revisions"}],"predecessor-version":[{"id":106478,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80377\/revisions\/106478"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/80395"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=80377"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=80377"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=80377"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}