{"id":80803,"date":"2021-12-01T09:04:57","date_gmt":"2021-12-01T17:04:57","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=80803"},"modified":"2025-12-03T14:40:46","modified_gmt":"2025-12-03T22:40:46","slug":"procrastinating-composers","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/procrastinating-composers\/","title":{"rendered":"Last-Minute Masterpieces of Procrastinating Composers"},"content":{"rendered":"\n<p>Are you reading this article in order to avoid whatever you were <em>supposed<\/em> to be doing? If so, then great news: you&#8217;re not alone in your procrastination! In fact, your dilly-dallying habits are shared with several brilliant artists of classical music.<\/p>\n\n\n\n<p>Here, we&#8217;ll explore a few wonderful pieces, the genius composers behind the scenes, and the habit that makes us all human.<\/p>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Don Giovanni, or &#8220;Up-Until-Dawn&#8221; Giovanni?<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"556\" height=\"749\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/procrastination-blog-constanze-mozart.jpg\" alt=\"\" class=\"wp-image-81309\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/procrastination-blog-constanze-mozart.jpg 556w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/procrastination-blog-constanze-mozart-223x300.jpg 223w\" sizes=\"auto, (max-width: 556px) 100vw, 556px\" \/><figcaption class=\"wp-element-caption\">Mozart&#8217;s wife, Constanze, who may have rescued Don Giovanni. Courtesy of Wikimedia Commons. <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p><em>Don Giovanni<\/em> is often considered one of Mozart\u2019s greatest achievements, as well as the hymn of procrastination. Written as a two-act opera, it premiered on October 29, 1787, in Prague \u2013 fourteen days after it was <em>supposed<\/em> to premiere for the visit of Archduchess Maria Theresa of Austria.<\/p>\n\n\n\n<p>But despite Mozart receiving those extra fourteen days to make last-minute edits and twiddle his thumbs, he didn&#8217;t compose the score until the morning before production. A popular story claims that during the eve of the premier, Mozart was chatting and enjoying beverages with his wife Constanze. Afterward, he fell asleep, and Constanze kindly woke him up at five o&#8217;clock in the morning to finish the overture. When the opera was finally performed, the ink on the sheet music of the overture was wet, still drying from last-minute copying. Musicians sight-read their parts without rehearsal.<\/p>\n\n\n\n<p>Even with the lack of previous practice, the premiere was well-received. The <em>Provincialnachrichten of Vienna<\/em> reported that \u201cMozart conducted in person\u2026\u201d and that he was \u201c\u2026welcomed joyously and jubilantly by the numerous gathering.\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Mozart: &quot;Don Giovanni&quot; Overture \/ Southwest German Chamber Orchestra \/ Bostock\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/1k_kPy2HFOM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Mozart&#8217;s Don Giovanni Overture, performed by the Southwest German Chamber Orchestra (2020)<\/figcaption><\/figure>\n\n\n\n<div style=\"height:40px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">The Thieving Magpie<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:40%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"700\" height=\"880\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Rossini-e1637365359282.jpg\" alt=\"\" class=\"wp-image-81225\"\/><figcaption class=\"wp-element-caption\">Rossini, courtesy of Wikimedia Commons<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Two-act operas tend to be a common struggle for procrastinating composers. Gioachino Rossini enjoyed setting new standards through his many serious and comic operas, but he may have pushed the limits a bit too far when he composed <em>La Gazza Ladra<\/em>, \u201cThe Thieving Magpie,\u201d on the day of the opera\u2019s opening.<\/p>\n\n\n\n<p>A popular anecdote reports that Rossini was locked inside the attic of La Scala, the Milan theater of the opera&#8217;s premiere, by the theater manager. Rossini was instructed to write the opera, page by page, and drop them out of the window for copyists to quickly transcribe. If he didn\u2019t finish them fast enough, stagehands were encouraged to throw him out of the window instead. Sometimes, we all need a bit of motivation, and Rossini was no exception.<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Rossini - La Gazza Ladra (The Thieving Magpie): Overture [HQ]\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/CJiiBq8UnIY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><figcaption class=\"wp-element-caption\">Rossini&#8217;s La Gazza Ladra, performed by The Royal Philharmonic Orchestra (2016)<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Are you reading this article in order to avoid whatever you were supposed to be doing? If so, then great news: you&#8217;re not alone in your procrastination! In fact, your dilly-dallying habits are shared with several brilliant artists of classical music. Here, we&#8217;ll explore a few wonderful pieces, the genius composers behind the scenes, and &#8230; <\/p>\n","protected":false},"author":146,"featured_media":81349,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4056,1412],"tags":[],"class_list":["post-80803","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-for-fun","category-spotlight"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:08:07","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/146"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=80803"}],"version-history":[{"count":4,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80803\/revisions"}],"predecessor-version":[{"id":109149,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/80803\/revisions\/109149"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/81349"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=80803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=80803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=80803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}