{"id":81133,"date":"2021-11-11T10:28:00","date_gmt":"2021-11-11T18:28:00","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=81133"},"modified":"2026-01-15T10:36:35","modified_gmt":"2026-01-15T18:36:35","slug":"exploring-music-by-indigenous-composers","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/exploring-music-by-indigenous-composers\/","title":{"rendered":"Exploring Music by Indigenous Composers"},"content":{"rendered":"\n<p><span class=\"TextRun SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\">November is&nbsp;<\/span><\/span><a class=\"Hyperlink SCXW202849608 BCX0\" href=\"https:\/\/nativeamericanheritagemonth.gov\/\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Underlined SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\" data-ccp-charstyle=\"Hyperlink\">National Native American Heritage Month<\/span><\/span><\/a><span class=\"TextRun SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\">, which presents classical music with a challenging topic. The classical tradition has a long record of cultural appropriation when it comes to indigenous&nbsp;<\/span><span class=\"NormalTextRun SpellingErrorV2 SCXW202849608 BCX0\">musics<\/span><span class=\"NormalTextRun SCXW202849608 BCX0\"> from North America and around the globe.&nbsp;<\/span><span class=\"NormalTextRun SCXW202849608 BCX0\">In the late Victorian era, n<\/span><span class=\"NormalTextRun SCXW202849608 BCX0\">on-native composers attempted to explore Native American influences in efforts like the late Victorian&nbsp;<\/span><\/span><a class=\"Hyperlink SCXW202849608 BCX0\" href=\"https:\/\/en.wikipedia.org\/wiki\/Indianist_movement\" target=\"_blank\" rel=\"noreferrer noopener\"><span class=\"TextRun Underlined SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\" data-ccp-charstyle=\"Hyperlink\">Indianist Movement<\/span><\/span><\/a><span class=\"TextRun SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\">\u2014<\/span><\/span><span class=\"TextRun SCXW202849608 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW202849608 BCX0\">much of this music is criticized for othering and caricaturing its sources.&nbsp;<\/span><\/span><span class=\"EOP SCXW202849608 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<p><span class=\"TextRun SCXW37915274 BCX0\" lang=\"EN-US\" xml:lang=\"EN-US\" data-contrast=\"none\"><span class=\"NormalTextRun SCXW37915274 BCX0\">T<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">he twentieth and twenty-first centuries brought us an increasing number of&nbsp;<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">Indigenous&nbsp;<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">classical composers who present their own musical tradition from within.&nbsp;<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">To help you explore the rich world of Native American music<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">, we\u2019d like to share six composers and musical works, all of which<\/span><span class=\"NormalTextRun SCXW37915274 BCX0\">&nbsp;explore traditional music in nontraditional ways.<\/span><\/span><span class=\"EOP SCXW37915274 BCX0\" data-ccp-props=\"{&quot;201341983&quot;:0,&quot;335559739&quot;:160,&quot;335559740&quot;:259}\">&nbsp;<\/span><\/p>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Louis_Ballard.jpg\" alt=\"Louis Ballard\" class=\"wp-image-81135\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Louis_Ballard.jpg 500w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Louis_Ballard-300x300.jpg 300w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Louis_Ballard-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Photograph of Louis Ballard courtesy of Cincinnati Public Radio <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Louis W. Ballard<br>Katcina Dances<\/h2>\n\n\n\n<p>Louis Ballard&nbsp;(1931-2007) was among the first composers of Native American heritage to exert a profound influence on the culture of classical music. Ballard was of Cherokee and&nbsp;Quawpaw&nbsp;descent, and was born on the&nbsp;Quawpaw&nbsp;Reservation in Oklahoma. His composition teachers included Darius Milhaud and Mario&nbsp;Castelnuovo-Tedesco. Ballard\u2019s career as a composer and educator included appointments with the Institute of American Indian Arts, Santa Fe, and with the Bureau of Indian Affairs. In 1997, Ballard received a Lifetime Musical Achievement Award from First Americans in the Arts.&nbsp;<\/p>\n\n\n\n<p>Ballard\u2019s compositions fuse modernist classical techniques with influences from his Native heritage. This recording features a wonderful bassoon rendition of the fourth movement, \u201cBees,\u201d from Ballard\u2019s&nbsp;Katcina&nbsp;Dances, a 1969 suite&nbsp;which Ballard&nbsp;originally composed for cello and piano.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Louis Ballard&#039;s &quot;Katcina Dances,&quot; Movement 4: Bees\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/JcWwjMVWqiM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"312\" height=\"312\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/nakai-portrait.jpg\" alt=\"Carlos Nakai\" class=\"wp-image-81138\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/nakai-portrait.jpg 312w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/nakai-portrait-300x300.jpg 300w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/nakai-portrait-150x150.jpg 150w\" sizes=\"auto, (max-width: 312px) 100vw, 312px\" \/><figcaption class=\"wp-element-caption\">Image courtesy of the composer&#8217;s website<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">R. Carlos Nakai<\/h2>\n\n\n\n<p><em>Song for the Morning Star<\/em><\/p>\n\n\n\n<p>Carlos Nakai&nbsp;(b. 1946) is a&nbsp;virtuoso of the Native American flute. Nakai is of Navajo-Ute heritage, and though he began his musical studies with classical trumpet and music theory, the gift of a traditional Native American wooden flute inspired a career in which he has become an international master of the instrument. Nakai moves freely between musical genres, and composers as diverse as Philip Glass and Billy Williams have written for him: in fact, you\u2019ll hear him perform in a work by Dawn Avery later in this article.&nbsp;&nbsp;<\/p>\n\n\n\n<p>In his artist biography, Nakai explains that his&nbsp;\u201ccareer has been shaped by a desire to communicate a sense of Native American culture and society that transcends the common stereotypes presented in mass media.\u201d&nbsp;<\/p>\n\n\n\n<p>Nakai has released more than&nbsp;50 record&nbsp;albums, and he is among the most successful Native American recording artists, with&nbsp;multiple&nbsp;Gold&nbsp;albums to his credit.&nbsp;Song for the Morning Star&nbsp;comes from Nakai\u2019s 1989 album&nbsp;Canyon Trilogy, the first album featuring the Native American flute to reach Platinum status.&nbsp;&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Song For the Morning Star\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/WM8BmV4NdOE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/brent-michael-davids.jpg\" alt=\"Brent Michael Davids\" class=\"wp-image-81140\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/brent-michael-davids.jpg 500w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/brent-michael-davids-300x300.jpg 300w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/brent-michael-davids-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Photograph courtesy of the Native Arts and Cultures Foundation <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Brent Michael Davids<\/h2>\n\n\n\n<p><em>Fluting Around<\/em><\/p>\n\n\n\n<p>Composer and flutist&nbsp;Brent Michael Davids&nbsp;(b. 1959) is a member of the Mohican Nation. Davids earned degrees in both music composition and Native American studies from Arizona State University. His compositions frequently blend traditional classical sounds with the timbres of Native American instruments. Davids&#8217;s concert works include&nbsp;We the People, a work for chorus and orchestra composed for the opening of the Smithsonian National Museum of the American Indian. Davids composes for choir as well: one of his recent compositions is&nbsp;Singing for Water, a work for layered chorus reflecting on the struggle of the Native Americans who protested the Dakota Access Pipeline project in 2017.&nbsp;<\/p>\n\n\n\n<p>In this recording, you&#8217;ll hear Davids\u2019s 2014 concerto&nbsp;Fluting Around.&nbsp;In&nbsp;his program notes&nbsp;for the piece, Davids explains, \u201cBorrowed from various American Indian traditions of \u2018courting flutes,\u2019&nbsp;Fluting Around&nbsp;is a modern concerto for flute and orchestra. With a bit of humor,&nbsp;Fluting Around&nbsp;celebrates the American Indian courting flute traditions, especially in the third movement, and illustrates that a challenging flute concerto can be both exhilarating and fun for audiences of any culture.\u201d&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Brent Michael Davids &quot;Fluting Around&quot; World Premiere\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/unmDg4uR8SI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Tate-683x1024.jpg\" alt=\"Jerod Tate\" class=\"wp-image-81142\"\/><figcaption class=\"wp-element-caption\">Photograph courtesy of the composer\u2019s website <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Jerod Impichchaachaaha&#8217; Tate<\/h2>\n\n\n\n<p><em>Pisachi\u00a0(Reveal)<\/em><\/p>\n\n\n\n<p>Composer, educator and pianist&nbsp;Jerod Impichchaachaaha\u2019 Tate&nbsp;(b. 1968) is citizen of the Chickasaw Nation. Tate studied piano at Northwestern University, and piano and composition at the Cleveland Institute of Music. As a classical composer, he has received commissions from the National Symphony Orchestra, the Dallas Symphony Orchestra, the Dale Warland Singers, the American Composers\u2019 Forum, and many more organizations in the United States and beyond.&nbsp;<\/p>\n\n\n\n<p>In this recording, you\u2019ll hear Tate\u2019s&nbsp;Pisachi&nbsp;(Reveal), a work for string quartet commissioned by the contemporary ensemble ETHEL. In his program notes for the work, Tate explains its influences and purpose: \u201cPisachi&nbsp;(Reveal) is composed in six epitomes, or sections, and was originally commissioned to be performed within a slide show exhibit for ETHEL\u2019s touring project entitled&nbsp;Documerica.&nbsp;Pisachi&nbsp;was conceived to be paired with images of the American Southwest. In doing so, the work draws specifically from Hopi and Pueblo Indian music, rhythms and form. The opening viola solo is a paraphrase of a Pueblo Buffalo Dance and becomes material throughout the work. Later, the work refers to Hopi Buffalo Dance and Elk Dance music. It is the composer\u2019s intent to honor his Southwest Indian cousins through classical repertoire.\u201d&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Pisachi (Reveal) fro String Quartet by Jerod Impichchaachaaha&#039; Tate\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/S4rgAFusW2A?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/avery-1-1024x1024.jpg\" alt=\"Dawn Avery\" class=\"wp-image-81151\"\/><figcaption class=\"wp-element-caption\">Photograph by Deborah Martin, courtesy of the composer\u2019s website <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Dawn Avery<\/h2>\n\n\n\n<p><em>Hohonkweta&#8217;ka:ionse\u00a0<\/em><\/p>\n\n\n\n<p>Dawn Avery&nbsp;is a Mohawk cellist, composer, and educator. She holds degrees in music from the Manhattan School of Music and the University of Maryland, and she directs the World Music Program at Montgomery College. As a cellist, Avery moves freely between world, classical, and pop genres, and has collaborated with artists ranging from Carlos Nakai to John Cage to Sting. In 2006, she launched the North Indian American Cello Project, in which she toured and performed cello works by Native American composers, including her own piece for cello and voice entitled&nbsp;Decolonization.&nbsp;<\/p>\n\n\n\n<p>In this recording, you\u2019ll hear Avery\u2019s haunting 2010 composition&nbsp;Hohonkweta&#8217;ka:ionse for native flute and string quartet. Avery discusses the work\u2019s origin in her program notes: \u201cThe piece was written in honor of our ancestors.&nbsp; Avery started writing the first movement of&nbsp;Hohonkweta\u2019ka:ionse, [the] Mohawk word for ancestors, during a residency at Memorial University in New Foundland. There she learned about the&nbsp;Beothuk,&nbsp;the original aboriginal peoples of the area who were believed to be extinct. Through existing songs, this belief is now being challenged. Traveling along the coast, it seemed that the ancestral voices of these people could be heard in the melodic winds, snow banks, ocean waves and ancient rocks.\u201d&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Hohonkweta&#039;ka:ionse (by Dawn Avery) - Dawn Avery and R. Carlos Nakai, Live at Montgomery College\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/pTEjCEnHJXo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<div style=\"height:100px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"500\" height=\"500\" src=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Jeremy_Dutcher.jpg\" alt=\"Jeremy Dutcher\" class=\"wp-image-81154\" srcset=\"https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Jeremy_Dutcher.jpg 500w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Jeremy_Dutcher-300x300.jpg 300w, https:\/\/acp-website.s3.us-west-2.amazonaws.com\/uploads\/2021\/11\/Jeremy_Dutcher-150x150.jpg 150w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><figcaption class=\"wp-element-caption\">Photograph by Vanessa Heins Photography, courtesy of the composer\u2019s website <\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Jeremy Dutcher&nbsp;<\/h2>\n\n\n\n<p><em>Sakomawit\u00a0<\/em><\/p>\n\n\n\n<p>Jeremy Dutcher&nbsp;(b. 1990) is a Canadian tenor, composer, and musicologist who studied music and anthropology at Dalhousie University. He is also a member of the&nbsp;Tobique&nbsp;First Nation in New Brunswick. In 2018, Dutcher released an innovative album entitled&nbsp;Wolastoqiyik Lintuwakonawa, in which he&nbsp;explores the Wolastoq language and music&nbsp;through new compositions. Dutcher embarked upon the project while engaged in musicological work for the Canadian Museum of History: transcribing&nbsp;Wolastoq&nbsp;songs recorded by Native singers in 1907 on wax cylinders. Dutcher explains, \u201cMany of the songs I\u2019d never heard before, because our musical tradition on the East Coast was suppressed by the Canadian Government\u2019s Indian Act.\u201d He adds, \u201cI&#8217;m doing this work because there&#8217;s only about a hundred&nbsp;Wolastoqey&nbsp;speakers left. It&#8217;s crucial for us to make sure that we&#8217;re using our language and passing it on to the next generation. If you lose the language, you&#8217;re not just losing words;&nbsp;you&#8217;re losing&nbsp;an entire way of seeing and experiencing the world from a distinctly indigenous perspective.\u201d&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Jeremy Dutcher - \u201cSakomawit\u201d | Live at The 2019 JUNO Awards\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/htuSO4RlYbw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>November is&nbsp;National Native American Heritage Month, which presents classical music with a challenging topic. The classical tradition has a long record of cultural appropriation when it comes to indigenous&nbsp;musics from North America and around the globe.&nbsp;In the late Victorian era, non-native composers attempted to explore Native American influences in efforts like the late Victorian&nbsp;Indianist Movement\u2014much &#8230; <\/p>\n","protected":false},"author":127,"featured_media":81137,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4909],"tags":[],"class_list":["post-81133","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-education"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:24:01","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/81133","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/127"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=81133"}],"version-history":[{"count":2,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/81133\/revisions"}],"predecessor-version":[{"id":110035,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/81133\/revisions\/110035"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/81137"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=81133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=81133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=81133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}