{"id":93921,"date":"2023-10-27T10:00:00","date_gmt":"2023-10-27T17:00:00","guid":{"rendered":"https:\/\/www.allclassical.org\/?p=93921"},"modified":"2026-01-14T12:12:22","modified_gmt":"2026-01-14T20:12:22","slug":"pitman-review-fernandes-bacheando","status":"publish","type":"post","link":"https:\/\/www.allclassical.org\/pitman-review-fernandes-bacheando\/","title":{"rendered":"John Pitman Review: Pl\u00ednio Fernandes&#8217;s &#8216;Bacheando&#8217;"},"content":{"rendered":"\n<p>Pl\u00ednio Fernandes is a London-based Brazilian guitarist who has just released his second album. Bacheando explores the long-established influence of Bach&#8217;s music on Brazilian composers.&nbsp;Chief among them is Heitor Villa-Lobos (1887-1959), whose series titled Bachianas Brazileiras fuse the Baroque-age forms of Bach with the rhythm and styles of Brazilian music.&nbsp;<\/p>\n\n\n\n<p>He recently spoke to All Classical Radio host John Pitman about his latest album, <em>Bacheando<\/em>. <\/p>\n\n\n\n<p>Fernandes performs examples of these, but also shares further explorations, such as Bachianinha 1 &amp; 2 by Paulinho Nogueira; and an almost direct &#8220;answer&#8221; to Bach&#8217;s Prelude, Fugue and Allegro, in a work by S\u00e9rgio Assad, who has been a mentor to Fernandes for many years.<\/p>\n\n\n\n<p>John chats with this remarkable guitarist about the music, the people who have been an inspiration, and on reconnecting with Brazilian culture while living in London:<\/p>\n\n\n\n<p><\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"John Pitman Review: Pl\u00ednio Fernandes&#039;s &#039;Bacheando&#039; by All Classical Radio\" width=\"500\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1651003653&#038;show_artwork=true&#038;maxheight=750&#038;maxwidth=500\"><\/iframe>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Pl\u00ednio Fernandes&#8217;s <em>Bacheando<\/em> is <a href=\"https:\/\/classical.centerstagestore.com\/products\/plinio-fernandes-bacheando-cd\" data-type=\"link\" data-id=\"https:\/\/classical.centerstagestore.com\/products\/plinio-fernandes-bacheando-cd\" target=\"_blank\" rel=\"noreferrer noopener\">available now on Decca Gold<\/a>.<\/p>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n","protected":false},"excerpt":{"rendered":"<p>Pl\u00ednio Fernandes is a London-based Brazilian guitarist who has just released his second album. Bacheando explores the long-established influence of Bach&#8217;s music on Brazilian composers.&nbsp;Chief among them is Heitor Villa-Lobos (1887-1959), whose series titled Bachianas Brazileiras fuse the Baroque-age forms of Bach with the rhythm and styles of Brazilian music.&nbsp; He recently spoke to All &#8230; <\/p>\n","protected":false},"author":24,"featured_media":93924,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[4040],"tags":[],"class_list":["post-93921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pitman-reviews"],"acf":[],"publishpress_future_action":{"enabled":false,"date":"2026-05-21 04:20:09","action":"change-status","newStatus":"draft","terms":[],"taxonomy":"category","extraData":[]},"publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"_links":{"self":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/93921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/users\/24"}],"replies":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/comments?post=93921"}],"version-history":[{"count":5,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/93921\/revisions"}],"predecessor-version":[{"id":94277,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/posts\/93921\/revisions\/94277"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media\/93924"}],"wp:attachment":[{"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/media?parent=93921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/categories?post=93921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.allclassical.org\/wp-json\/wp\/v2\/tags?post=93921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}